Wynwood Walls is a walled courtyard of about thirty commissioned murals on NW 2nd Avenue, and it is the only part of Wynwood you pay to see. That sentence is the whole visit, and getting it straight in advance saves a lot of confusion at the ticket window.
The idea came from developer Tony Goldman in 2009. Wynwood was then a district of low-slung garment and produce warehouses with long blank walls and very little foot traffic, and Goldman's argument was that the walls themselves were the asset. He invited a first round of international muralists — among them Shepard Fairey and Futura — to paint the enclosed lots at NW 26th Street, and charged nothing to walk in. The courtyard worked, the district around it filled with galleries and then bars and then condominiums, and somewhere in that arc the Walls became a ticketed institution with a gift shop, a bar and a queue.
What you get inside is curation. The murals are commissioned, credited, lit, rotated on a schedule, and placed so that they read as a sequence rather than a scramble. Several are repainted around Art Basel week in early December, which is the one time of year the courtyard is genuinely different from how it looked the month before. There is a small indoor gallery and a shaded courtyard bar, and the whole thing takes most people forty-five minutes.
What you get outside is volume and chaos. The surrounding Wynwood Arts District — roughly NW 2nd Avenue between 20th and 36th streets, plus the numbered side streets east and west — carries hundreds of murals on shutters, loading docks, parking structures and entire building flanks. Nobody charges for those. Some are commissioned by the building owner, some are not, and pieces disappear under new paint without notice, which is the point.
Go on a weekday morning if you want photographs without other people's arms in them. By Friday evening the same blocks are a bar district with valet queues, and the murals are something you walk past rather than look at.